Figaro Gets a Divorce
A chilling opera thriller!

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DATES:Jan 31 — March 11
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STAGE:Main stage
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RUNNING TIME:approx. 2 hrs 15 mins incl. interval
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LANGUAGE:English, Swedish surtitles
Figaro Gets a Divorce — a worthy sequel to Il barbiere di Siviglia and Le nozze di Figaro, now being performed for the first time in Sweden. How will it end?
Figaro helped Count Almaviva get his Rosina, and he married his Susanna, what happened next? The third part of the Figaro trilogy is a dramatic thriller from 2016 by composer Elena Langer. Figaro Gets a Divorce is the sequel to Il barbiere di Siviglia and Le nozze di Figaro, now performed for the first time in Sweden. Director Linus Fellbom had great success with part one and two. He is now back for the fast-moving finale!
The Almaviva family and their servants, Figaro and Susanna, flee the revolution but are stopped by the secret agent known as the Major – a man with a dark mission. He exposes scandalous secrets that tear the family’s relationships apart and force everyone to question themselves and one another – and who loves whom. At the same time, Figaro and Susanna’s marriage begins to crack, and from the shadows returns the supposedly dead Cherubino, now transformed into the nightclub owner. When lies and passions collide, everyone is drawn into a dangerous game of betrayal, love, and revenge – where no one can be certain who can still be saved.
Prepare yourself for a chilling opera thriller about passion, betrayal and loss. Elena Langer's contemporary opera delves beyond the world of Mozart and Rossini – with music that moves on the border between orchestral modernism, edgy jazz and evocative film scores.
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Act 1
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Interval
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Act 2
Synopsis
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The Almaviva family and their servants, married couple Figaro and Susanna, are on the run...
The Almaviva family and their servants, married couple Figaro and Susanna, are on the run from revolution, when they are stopped by a secret agent, The Major.
The Major is intent on destroying the family, and reveals to Count Almaviva that his son, Serafin Almaviva, is the love child of an affair between the Countess Almaviva and Cherubino, their former page, reportedly killed in action. Separately, the Major reveals to the Count’s ward, Angelika, that she is the love child from an affair between the Count and a former servant, Barbarina. Angelika, believing her fiancé, Serafin, is in fact her brother, is forced to accept The Major’s proposal to take him as a husband instead.
Figaro and Susanna’s marriage is in trouble. Susanna is scornful of Figaro, who refuses to give her a child, and has returned to his former trade as a barber to survive.
She has an affair with The Cherub – a night club owner who turns out to be Cherubino, who did not die in battle after all. The Countess uncovers the Major’s plot to destroy the family, and Serafin and Angelika realise they are not siblings after all, and can marry.
The family flees from the Major and end up back at the Almaviva castle, which has been turned into a mental asylum. Cherubino is shot and killed in the darkness. Susanna is pregnant with Cherubino’s child, but is reconciled with Figaro. The family tries to outwit the Major by feigning madness, but when they try to escape, they realise they are trapped, as revolutionary forces approach. The Count shows the young people an escape route, but he and the Countess stay and await their fate.
Introductions & talks
In connection with the premiere on January 31, all ticket holders are welcome to a free talk in the Golden Foyer at 6 p.m. where the team presents their thoughts on Figaro Gets a Divorce. Participating are David Pountney (librettist), Elena Langer (composer), Linus Fellbom (director and lighting designer), Julia Przedmojska (set designer) and Lena Lindgren (costume designer). Dramaturg Katarina Aronsson moderates.
On other performance days, a free introduction to the piece takes place in the Golden Foyer 45 minutes before the performance starts!
To create opera today - talk
Meet the Russian-British composer Elena Langer in a conversation about her opera Figaro Gets a Divorce. The talk then continues as two additional composers join: Britta Byström – most recently featured at the Royal Swedish Opera with the Sámi opera The Heart of the Earth – and Andrea Tarrodi, who has written the children’s opera Lost for Young Opera. Don’t miss this opportunity to hear three powerful contemporary voices generously share their experiences and perspectives on opera today.
As part of the programme, soprano Vera Talerko and pianist Krystian Belliere will perform an excerpt from the opera Figaro Gets a Divorce.
The talk will take place on January 29 in Rotundan. Read more here »

»I love big voices, big emotions and telling stories through music«
ELENA LANGER
Composer Elena Langer is known for her colourful, dramatic, and often playful music. Her internationally acclaimed works move between the grand scale and the intimate, combining human depth with musical humour. Her breakthrough opera Figaro Gets a Divorce was described by The Daily Telegraph as “that rare modern opera that immediately engages.” Langer’s music is characterised by a contemporary expression where orchestral modernism meets jazz and evocative film music.

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Cast
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Music & creative team
Music Elena Langer
Libretto David Pountney
Conductor Karen Kamensek
Director Linus Fellbom
Scenography Julia Przedmojska
Costumes and make-up Lena Lindgren
Dramaturge Katarina Aronsson
Translation Annica MacTaggart
Choreographer Joakim Stephenson
Cast subject to change.
Your visit to the Opera
Frequesntly asked questions
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At what time do I have to be at the Opera before the performance?
We recommend that you arrive at least half an hour before the performance begins. If you can arrive earlier, it's even better: 45 minutes before the start of the performance, there is a free audience introduction in the Golden Foyer - an excellent way to approach the performance! Please note that once the performance has started, no one will be allowed into the hall until after the first intermission.
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It's my first time at the Opera - what do I do?
We have put together some useful tips for your visit. Otherwise, our best advice is to arrive on time - discover the Opera House, leave your coat in the cloakroom, eat or drink something. AND, ask our ushers - they'll be happy to help! Outerwear and bags should be left in the cloakroom for safety and evacuation reasons.
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Can my ticket be rebooked or cancelled if I or someone in my party is ill?
You can rebook tickets yourself on the website up to 24 hours before the start of the performance within the the current season. Tickets cannot be cancelled (read more in our general terms and conditions).
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Can you eat and drink at the Opera?
Of course you can! Our partner Restaurang Grodan is on the ground floor facing Strömgatan - take the opportunity to book a table ahead of your visit! Each floor also has a service with drinks and snacks, at the stalls' café there is a slightly larger selection. We advice you to pre-book the intermission service so it is ready and waiting for you during the interval!

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